Die Sterne (2020)
On the 12th studio album of the Hamburg based band DIE STERNE Max Knoth contributed keyboards and guitar and is also part of the live line-up.
On the 12th studio album of the Hamburg based band DIE STERNE Max Knoth contributed keyboards and guitar and is also part of the live line-up.
On the 12th studio album of the Hamburg based band DIE STERNE Max Knoth contributed keyboards and guitar and is also part of the live line-up.
Max Knoth contributed additional orchestration to Enis Rotthoff’s score.
Max Knoth contributed additional orchestration to Enis Rotthoff’s score.
Max Knoth performed the music for this stage version of Marlen Haushofer’s „Die Wand“ by Clemens Maria Schönborn, starring Sophie Rois.
Max Knoth performed the music for this stage version of Marlen Haushofer’s „Die Wand“ by Clemens Maria Schönborn, starring Sophie Rois.
Felix Kubin’s intergalactic mission to collect sounds for the Plexifon is accompanied by Mark Boombastik and Ensemble Resonanz. For this children’s play at the Elbphilharmonie in Hamburg Max Knoth wrote the arrangements.
Felix Kubin’s intergalactic mission to collect sounds for the Plexifon is accompanied by Mark Boombastik and Ensemble Resonanz. For this children’s play at the Elbphilharmonie in Hamburg Max Knoth wrote the arrangements.
Max Knoth orchestrated the score by Christoph Israel of this german comedy.
Max Knoth orchestrated the score by Christoph Israel of this german comedy.
For a concert with Jesper Munk and the Deutsches Filmorchester Babelsberg Max Knoth wrote the orchestral arrangements.
For a concert with Jesper Munk and the Deutsches Filmorchester Babelsberg Max Knoth wrote the orchestral arrangements.
Max Knoth composed the music for Manuel Muerte’s interdisciplinary performance at Ballhaus Ost.
Max Knoth composed the music for Manuel Muerte’s interdisciplinary performance at Ballhaus Ost.
Ketan and Vivan Bhatti recomposed this work of Mussorgsky and Ravel with a modern rhythmical and harmonic approach. Max Knoth helped with the orchestration and crafted the score.
Ketan and Vivan Bhatti recomposed this work of Mussorgsky and Ravel with a modern rhythmical and harmonic approach. Max Knoth helped with the orchestration and crafted the score.
„A collective meditation on a well-kept secret“
For this production by the performance collective She She Pop Max Knoth composed the music.
„A collective meditation on a well-kept secret“
For this production by the performance collective She She Pop Max Knoth composed the music.
Ulu Braun’s short movie Die Herberge/The Hostel wins Prize for the best contribution to the German Competition in Oberhausen. Max Knoth created music and sound design.
Ulu Braun’s short movie Die Herberge/The Hostel wins Prize for the best contribution to the German Competition in Oberhausen. Max Knoth created music and sound design.
Max Knoth is presenting Felix Kubin’s Falling Still at the Classical:NEXT 2017 in Rotterdam.
Max Knoth is presenting Felix Kubin’s Falling Still at the Classical:NEXT 2017 in Rotterdam.
Max Knoth arranged this song by Ingfried Hoffmann (Sesamstrasse), played by the NDR Bigband, for the movie Quatsch by Veit Helmer (Tuvalu, Absurdistan).
Max Knoth arranged this song by Ingfried Hoffmann (Sesamstrasse), played by the NDR Bigband, for the movie Quatsch by Veit Helmer (Tuvalu, Absurdistan).
Max Knoth held a workshop for sound design at the 27th Filmfest in Dresden (Min 1.).
Max Knoth held a workshop for sound design at the 27th Filmfest in Dresden (Min 1.).
For the Deutsche Grammophon Max Knoth was orchestrator and musical director at the recording for a project by Matthias Arfmann, who started the now famous „Recomposed Series“ in 2005.
For the Deutsche Grammophon Max Knoth was orchestrator and musical director at the recording for a project by Matthias Arfmann, who started the now famous „Recomposed Series“ in 2005.
Max Knoth is the orchestrator of the new Tagesschau theme (min.11).
Max Knoth is the orchestrator of the new Tagesschau theme (min.11).
Max Knoth did the orchestration and led the recordings for Flying Illusion.
Max Knoth did the orchestration and led the recordings for Flying Illusion.
Berlin based Band Martin Dean released their second album with orchestral arrangements by Max Knoth.
Berlin based Band Martin Dean released their second album with orchestral arrangements by Max Knoth.
Max Knoth wrote the score for Miss Sixty with Iris Berben (Dir.: Sigrid Hoerner). For the credits he arranged the song C’est si bon for orchestra.
Max Knoth wrote the score for Miss Sixty with Iris Berben (Dir.: Sigrid Hoerner). For the credits he arranged the song C’est si bon for orchestra.
Max Knoth assisted Danny Elfman at the CD recording of this ballet.
Max Knoth assisted Danny Elfman at the CD recording of this ballet.
Max Knoth arranged the concert of Berlin based singer Andrea Schroeder.
Max Knoth arranged the concert of Berlin based singer Andrea Schroeder.
Max Knoth orchestrated the music of David Newman for Tarzan.
Max Knoth orchestrated the music of David Newman for Tarzan.
Der Film FORST von Ulu Braun mit der Musik von Max Knoth erhält den Deutschen Kurzfilmpreis 2013 als bester Film in der Kategorie Experimentalfilm.
FORST by Ulu Braun with music composed by Max Knoth wins the German Short Film award 2013 as best experimental movie.
Der Film FORST von Ulu Braun mit der Musik von Max Knoth erhält den Deutschen Kurzfilmpreis 2013 als bester Film in der Kategorie Experimentalfilm.
FORST by Ulu Braun with music composed by Max Knoth wins the German Short Film award 2013 as best experimental movie.
Max Knoth composed the music for this radioplay based on the novel by Wsewolod Petrow. Director was Beate Andres.
Max Knoth composed the music for this radioplay based on the novel by Wsewolod Petrow. Director was Beate Andres.
Composer NILS FRAHM released a sheet music collection of songs from his albums Wintermusik, The Bells and Felt. Max Knoth was responsible for the notation of this deluxe edition.
Composer NILS FRAHM released a sheet music collection of songs from his albums Wintermusik, The Bells and Felt. Max Knoth was responsible for the notation of this deluxe edition.
Max Knoth orchestrated this movie with music by Matti Bye.
Max Knoth orchestrated this movie with music by Matti Bye.
Dear Reader, the band of award-winning songwriter Cherilyn MacNeil, releases the album We Followed Every Sound. The orchestral arrangements of this live recording of a concert with the Filmorchester Babelsberg were made by Max Knoth.
Dear Reader, the band of award-winning songwriter Cherilyn MacNeil, releases the album We Followed Every Sound. The orchestral arrangements of this live recording of a concert with the Filmorchester Babelsberg were made by Max Knoth.
This surrealistic short movie by artist Ulu Braun has music throughout, which was composed by Max Knoth.
This surrealistic short movie by artist Ulu Braun has music throughout, which was composed by Max Knoth.
Max Knoth did additional orchestration and recorded the music of Cloud Atlas, a movie by Tom Tykwer and the Wachowsky siblings. The music was composed by Johnny Klimek, Reinhold Heil and Tom Tykwer.
Max Knoth did additional orchestration and recorded the music of Cloud Atlas, a movie by Tom Tykwer and the Wachowsky siblings. The music was composed by Johnny Klimek, Reinhold Heil and Tom Tykwer.
The radioplay Testament by the Berlin based performance group She She Pop received the „Hörspielpreis der Kriegsblinden“ (War blinded audio play prize). Max Knoth worked together with She She Pop on the adaption of the theatre play. He also did the editing and wrote additional music.
The radioplay Testament by the Berlin based performance group She She Pop received the „Hörspielpreis der Kriegsblinden“ (War blinded audio play prize). Max Knoth worked together with She She Pop on the adaption of the theatre play. He also did the editing and wrote additional music.
The last album Algiers by the band Calexico containes the CD Spiritoso, which is a concert recording with orchestra. Arrangements were made by Max Knoth.
The last album Algiers by the band Calexico containes the CD Spiritoso, which is a concert recording with orchestra. Arrangements were made by Max Knoth.
Max Knoth plays Bass in Ari Folman’s (Waltz With Bashir) new movie The Congress along with Robin Wright and Max Richter.
Max Knoth plays Bass in Ari Folman’s (Waltz With Bashir) new movie The Congress along with Robin Wright and Max Richter.
„Der Verschollene“ by Franz Kafka. A radioplay by Beate Andres for which Max Knoth made music and sounddesign.
„Der Verschollene“ by Franz Kafka. A radioplay by Beate Andres for which Max Knoth made music and sounddesign.
Max Knoth composed the music for a short musical for Hape Kerkelings Christmas show „Hapes zauberhafte Weihnachten“ on German TV station RTL. The show won the comedians award Deutscher Comedypreis 2011.
Max Knoth composed the music for a short musical for Hape Kerkelings Christmas show „Hapes zauberhafte Weihnachten“ on German TV station RTL. The show won the comedians award Deutscher Comedypreis 2011.
Music for an animated short film by Larisa Lauber based on the story by Oscar Wilde.
Music for an animated short film by Larisa Lauber based on the story by Oscar Wilde.
Max Knoth orchestrated Ryuichi Sakamoto’s Koto Concerto.
Max Knoth orchestrated Ryuichi Sakamoto’s Koto Concerto.
The movie Prüfstand 7 (BRD 2001 / dir: Robert Bramkamp; starring Inga Busch) with Max‘ first orchestral score, inspired by Thomas Pynchon’s Gravities Rainbow, shows the activites of the Germans from 1942 experimenting with rockets. Combining documentary with fiction we see the ghost of this created rocket, Bianca, searching for her roots in the world of today and starting a journey through technology and myths. A centerpiece of this movie is a music clip with Robert Forster of the Go-Betweens, for whom Max Knoth wrote an orchestral arrangement.
The movie Prüfstand 7 (BRD 2001 / dir: Robert Bramkamp; starring Inga Busch) with Max‘ first orchestral score, inspired by Thomas Pynchon’s Gravities Rainbow, shows the activites of the Germans from 1942 experimenting with rockets. Combining documentary with fiction we see the ghost of this created rocket, Bianca, searching for her roots in the world of today and starting a journey through technology and myths. A centerpiece of this movie is a music clip with Robert Forster of the Go-Betweens, for whom Max Knoth wrote an orchestral arrangement.