Max Knoth created a library of electronic sounds with modular synths for Orchestral Tools.
Max Knoth wrote arrangements, orchestrations, and directed the recordings for ALPHAVILLE’s album with the Deutsches Filmorchester Babelsberg.
For Teresa Bergman’s concert with the Deutsches Filmorchester Babelsberg Max Knoth wrote the arrangements (thank you, Jan-Peter Klöpfel).
Arrangements for this Deutsche Grammophon production by Max Knoth
For their production „Mauern“ Max Knoth composed an electronic score.
Being part of DIE STERNE for three years, Max Knoth played guitar and bass on this album and wrote the orchestral arrangements.
Max Knoth wrote arrangements for this production, including the title „Bær“ by Hildur Guðnadóttir.
Max Knoth made arrangements and orchestrations on this album.
Max Knoth wrote arrangements for the concert with the Deutsches Filmorchester Babelsberg at Nikolaisaal.
Max Knoth wrote arrangements for this production with the WDR Funkhausorchester.
Arrangement for „The Christmas Song“ by Max Knoth, recorded by the Deutsches Filmorchester Babelsberg.
Max Knoth wrote the arrangement of „Méditation (From Thaïs)“.
Felix Kubin’s intergalactic mission to collect sounds for the Plexifon is accompanied by Mark Boombastik and Ensemble Resonanz. For this children’s play at the Elbphilharmonie in Hamburg Max Knoth wrote the arrangements.
These German songs from the 1920s to the 1940s were recorded by jazz singer Lyambiko, featuring new orchestral arrangements by Max Knoth.
Max Knoth contributed arrangements, incuding Jóhann Jóhannsson’s „Heptapod“.
Arrangement of „Der Astronaut muss weiter“ by Max Knoth.
Max Knoth assisted Danny Elfman preparing the world premiere of his Piano Quartet in Berlin.
Max Knoth arranged the title „Further“ for Matthew Herbert on this compilation.
