FORST (2013)
This surrealistic short movie by artist Ulu Braun has music throughout, which was composed by Max Knoth.
Orchestrating and recording Cloud Atlas (2012)
Max Knoth did additional orchestration and recorded the music of Cloud Atlas, a movie by Tom Tykwer and the Wachowsky siblings. The music was composed by Johnny Klimek, Reinhold Heil and Tom Tykwer.
„Hörspielpreis der Kriegsblinden“ 2012 for Testament
The radioplay Testament by the Berlin based performance group She She Pop received the „Hörspielpreis der Kriegsblinden“ (War blinded audio play prize). Max Knoth worked together with She She Pop on the adaption of the theatre play. He also did the editing and wrote additional music.
Shooting The Congress (2011)
Max Knoth plays Bass in Ari Folman’s (Waltz With Bashir) new movie The Congress along with Robin Wright and Max Richter.
Der Verschollene (2011)
„Der Verschollene“ by Franz Kafka. A radioplay by Beate Andres for which Max Knoth made music and sounddesign.
Hapes zauberhafte Weihnachten (2010)
Max Knoth composed the music for a short musical for Hape Kerkelings Christmas show „Hapes zauberhafte Weihnachten“ on German TV station RTL. The show won the comedians award Deutscher Comedypreis 2011.
Die Nachtigall und die Rose (2010)
Music for an animated short film by Larisa Lauber based on the story by Oscar Wilde.
Turtle: The Incredible Journey (2009)
TURTLE: THE INCREDIBLE JOURNEY is the story of a little loggerhead turtle, as she follows in the path of her ancestors on one of the most extraordinary journeys in the natural world. Max Knoth orchestrated and wrote additional music.
Der Verrückte, das Herz und das Auge (2006)
Fräulein Phyllis (2004)
Max Knoth wrote a jazz score for this black comedy from 2004 with actress Sophie Rois (Die Manns – Ein Jahrhundertroman, Liegen lernen, Drei). It was the debut feature film of Clemens Schönborn (Der letzte macht das Licht aus!).
Prüfstand 7 (2001)
The movie Prüfstand 7 (BRD 2001 / dir: Robert Bramkamp; starring Inga Busch) with Max‘ first orchestral score, inspired by Thomas Pynchon’s Gravities Rainbow, shows the activites of the Germans from 1942 experimenting with rockets. Combining documentary with fiction we see the ghost of this created rocket, Bianca, searching for her roots in the world of today and starting a journey through technology and myths. A centerpiece of this movie is a music clip with Robert Forster of the Go-Betweens, for whom Max Knoth wrote an orchestral arrangement.