Composition

Max Knoth writes for orchestra, small and large ensembles and solo instruments, . He has composed for award-winning short films (APOLLO / LUCIA by Felix Gönnert and FORST by Ulu Braun) and feature films (MISS SIXTY by Sigrid Hoerner, KLEINER DODO by Thilo von Rothkirch, FRÄULEIN PHYLLIS by Clemens Schönborn). Max Knoth has also composed […]

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Max Knoth writes for orchestra, small and large ensembles and solo instruments, .

He has composed for award-winning short films (APOLLO / LUCIA by Felix Gönnert and FORST by Ulu Braun) and feature films (MISS SIXTY by Sigrid Hoerner, KLEINER DODO by Thilo von Rothkirch, FRÄULEIN PHYLLIS by Clemens Schönborn).

Max Knoth has also composed for theatre (Christoph Schlingensief / She She Pop) and TV Spots (Fanta, IKEA).

Notation

Max Knoth made notation and orchestration for filmscores, classical and contemporary orchestral music. He worked together with Ryuichi Sakamoto and Carsten Nicolai | Alva Noto on their piece utp_ and on Sakamoto’s Concerto for Koto and Orchestra and also with Felix Kubin. utp_ by Noto / Sakamoto: Chromdioxidgedächtnis by Kubin:

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turtle_home_image
Max Knoth made notation and orchestration for filmscores, classical and contemporary orchestral music.

He worked together with Ryuichi Sakamoto and Carsten Nicolai | Alva Noto on their piece utp_ and on Sakamoto’s Concerto for Koto and Orchestra and also with Felix Kubin.

utp_ by Noto / Sakamoto:

Bildschirmfoto 2015-03-24 um 15.07.40
Chromdioxidgedächtnis by Kubin: